3/23/2023 0 Comments Movies like the equalizerMy kids are a bit older, so the violence is not usually my issue - Older children need to know about the violence in the world, we must address these issues with them as parents because they Will learn about it soon enough. For a film whose hero prides himself on “equalizing” the playing field for those who cannot defend themselves, The Equalizer 2 is incredibly uneven.Looked at the general review under "sex", as I always do for movies. Sadly, the sequel suffers from so many insurmountable number of characters (like franchise alum Bill Pullman and newcomer Pedro Pascal), arcs, and crossovers, that it just doesn’t work. (Or, for that matter, made into multiple films.) Its predecessor offers a far more streamlined story that, despite including many of the same beats, never gets bogged down in excessive plotting. The thing is, The Equalizer 2 could have been a much better, and more easily accessible version of this if its specific stories had been expanded and adapted for television. All viewers have to do is buy a bag of popcorn, sit back and enjoy the show. McCall is the good guy who protects (or avenges) his friends and neighbors, and the bad guys he regularly contends with are the perpetrators of some unquestionably evil acts of violence. In this arena, Washington’s acting, Fuqua’s direction, and Wenk’s writing are indisputably successful. That being said, those who enjoyed The Equalizer and other straightforward, black-and-white action movies will likely enjoy The Equalizer 2 as well. This particular thread does serve as The Equalizer 2’s main weave, but so much else is spun into it that it’s nearly impossible to keep track of it all. The discrepancy is so noticeable that moviegoers may find themselves trying to remember precisely what The Equalizer 2 purports to be about.Īccording to the official plot summary released by Sony Pictures, it’s about a man who “serves an unflinching justice for the exploited and oppressed,” and asks “how far will he go when that is someone he loves?” The official trailer and other promotional materials suggest the latter is specifically being asked about the murder of McCall’s handler, Susan Plummer (Melissa Leo). Yes, there’s plenty of action, and yes, thrills abound at all the right moments, but the downtime between said moments occurs far too often and lasts far too long. While McCall largely maintains the high road throughout these scenes, the plotting lags far too much for a film that bills itself as a fast-paced action thriller. So he decides to do what he does best, which in this case includes taking Amy to the hospital and returning to the hotel suite to exact revenge against the “bros” who sexually molested her. Using the same observational skills that precede almost every fight, McCall realizes that something has happened to the tearful Amy. One such person is Amy (Caroline Day), the young woman who is placed into McCall’s Lyft by a man who offers him a cash tip for making sure she gets home.
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